Actually, this is a very high-quality product. No external noise gets recorded during recording. Also, it has an internal amplifier system. I'm very happy that my recordings have a good sound interface. I'm also thankful to Amazon for delivering the ordered item exactly as it was

Graba a 24bits 192khz. La máxima calidad de audio posible. Barata, más que buena, y hecha de materiales duraderos y resistentes. Muy buenos preamps, sin nada que envidiar a mi Focusrite Scarlett 2i2 de tercera generación. La uso tanto para sacar audio de mi lap para secuencias en ma iglesia, como para recibir señal de la mixer y transmitir en vivo a facebook. Se oye bastante bien y no satura. Lo único que no me convence del todo, es el medidor de entrada de señal, son solo dos leds, y no dan mucha información respecto a cuánto está entrando para ajustar la ganancia. De ahí en fuera, todo perfecto con esta interfaz.

2 simple inputs, each with their own volume controls, as well as headphones jack if you require high-quality headphones to use with this.

Possedevo una Steinberg UR22 con i driver Yamaha che ho rotto meccanicamente per un incidente tecnico. ed ero soddisfatto (non di averla rotta!).Ho scelto quella che gli assomigliava di più anche come disposizione dei comandi e costava un po' meno.onestamente non trovo differenze misurabili senza strumenti sofisticati fra le due interfacce sia in termini di latenza (non percepibile) sia in termini si qualità del suono misurata a orecchio.Un paio di appunti: il manualetto per semplice che sia non è in italiano e i driver devono essere scaricati dal sito in maniera non proprio immediata e semplice (un aiutino poteva essere previsto, insomma).nel complesso non sono pentito.per gli eventuali neofiti credo di poter consigliare di acquistare un console integrata preampi - mixer - interfaccia perchè per la registrzione microfonica, ad esempio ho dovuto acquistare un piccolo preampli mixer da inseruire in seri prima dell'interfaccia e alla fine ho due aggeggi e il costo totale è uguale all'unico attrezzo.

Some people spend a lot of money on an audio interphase, this is a bargain! Great quality and its actually really durable - ive dropped it from shoulder length twice and it works like a charm still. I bought this to record a two person podcast, and the quality of the output is great. Plus you fdont even need phantom power since its built in. It comes with all the cords you need, and ll you need to do is connect it to your computer and ou are good to go. Came in its actual box, packaged well with instructions on how to use it on Mac and PC. The instructions are a bit hazy due to language translations but its an easy setup. Dont bother buying anything expensive, unless you are Akon or Drake or someone famous... if you are an average joe, this is for you!

I received my UMC202HD about 20 minutes ago UPS. After installing it I am totally delighted. About six weeks ago I purchased a Focusrite Scarlett 2i2 interface here at Amazon. I have not been able to get reasonably low latency in ASIO from the Scarlett, and the lowest I could set the buffers for the Scarlett was 424 samples (which provides well over 15msc round trip latency at 44.1K). Last week I put a technical support request with Focusrite and never heard back from them. On Friday (2 days ago) I gave up on Focusrite and the Scarlett and decided to purchase the Behringer box. Problem solved!Review: The Behringer UM202HD is a small very well constructed interface. It is roughly the same size as the Focusrite Scarlett 2i2, and for all intents and purposes, the Scarlett series is the UMC's direct competition. I'm not a fanboy of high sample rates, but the Behringer UMC202 does deliver frequency responding up to 192KHz at 24-bit resolution (yes, I tried it for a few minutes and it does work). In my main studio I do all my work at 44.1K/24-bit (because, while greater bit-depth does provide more usable dynamic range, sample rates higher than 44.1K provide little additional audio detail for people with normal hearing, no matter how much the industry hypes them). So, after playing around at higher sample rates, I set the Behringer ASIO driver (excellent, BTW) for 44.1/24 at maximum streaming fidelity and with a 64 sample buffer, loaded up and instance of Kontakt in my Forte-4 host, and set up Morphestra with a patch I developed that simultaneously outputs 24 voices (for a 3-note chord) and then played a chord on my keyboard while monitoring through the UMC's headphone output with my AKG 240 cans. The Behringer performed excellently, providing clean and crisp audio with absolutely no glitches or noise artifacts. Forte-4 was also indicating that it was doing this with 6.08ms round trip latency. I then loaded up Sonar Plarinum-64 and an 82-track symphonic metal piece I wrote and played it back. Again, the audio quality through the Behringer was excellent. Now, it is true that the "little" computer I am hosting all of this on in my office is pretty much as tripped out as you can get for a 4-core processor unit (i7 6700K overclocked to 4.7GHz, 32GB DDR-4 RAM, 500GB Samsung 850 PRO M.2 C:-drive, & Windows 7 Pro 64-bit), but the Focusrite failed to deliver the goods in the same system.I'm very happy with this purchase at $99, although once Behringer starts to deliver UMC units in greater quantity, these things should become available at the $69-79 price points all of the big-name music stored are advertising (but are out of stock). In comparison to the Focusrite, the UMC202HD at $99 is a great bargain and performs much better in real-world use. At $79 you'd be crazy to purchase any other interface.