è vuoto
è vuotoKhaled_Alsghair
Recensito in Egitto il 9 maggio 2024
good price
Ignacio Pérez Montero
Recensito in Messico il 21 luglio 2023
Es muy recomendable y graba con exelente calidad. Es una buena inversión para tu estudio casero. Graba muy bien hasta los instrumentos bajos.
Cliente
Recensito in Italia il 9 marzo 2021
Non è un microfono dinamico, ma a condensatore e va alimentato con una tensione di 48V
DJ
Recensito nel Regno Unito il 28 dicembre 2019
All's well with this condenser microphone. It has past the test for a good sound and sensitivity. I've used it on an audience for the first time on Christmas day and allowed another musician to use it also, so I was able to stand back and listen. I'm well pleased. It's a welcome addition to my limited but high quality sound system. (Classical Guitarist)
Lorenzo Laricchia
Recensito in Italia il 27 ottobre 2019
Ottimo microfono come da qualità Shure del resto, ottimo per la ripresa naturale degli strumenti acustici senza colorazione del suono e ottimo in ambienti critici di ripresa con alti volumi; eccellente anche in studio.Molto soddisfatto!!!
javier
Recensito in Spagna il 31 marzo 2019
Cumple su función. Está bien construido y buena relación calidad/precio
ZenGeekDad
Recensito negli Stati Uniti il 15 dicembre 2018
I’m not a career sound person. I do videography part-time (nights/weekends). My points of reference are built-in camera mics; DLSR add-ons like Rode’s Pro (short shotgun) & Stereo Pro; and built-in mics on portable recorders, like Zoom H5 & H1.Compared to those, my Shure PGA81-XLR’s have been a step up. The balanced line XLR cables pick up less ambient RF noise, giving me less audio clean-up work in post, and better audio results for the clean-up that I still do. And the cardiod pick-up pattern helps reduce audience noise, and phase interference between mics used in xy pairs for stereo.These are built like little tanks. I’ve had them 2 years, and use them every shoot. Seem indestructible.They list at 40-20,000 Hz (I guess all the dogs & toddlers listening to my videos appreciate the 10k+ end; I can’t hear it). Since these have no built-in low-cut (a.k.a. high-pass), I use them in shock cages on mic stands and don’t handle them during recording. This works very well. (Tip: in floor-pounding environments like theater, I like to put the mic stands atop a hand-cut circle of Damplifier automobile sound dampening foam.)I’m not qualified to comment on the ear-love from these: how “warm” or “sizzly” or “present” or they are (“with hints of oak, hominy, and spent transmission fluid”). But I am very fussy about sound, and these have been my go-to mics for best capture. I’ve used them for 50-piece orchestra projects; the conductor said the recording “brought tears to his eyes.” (Yeah, yeah, I know: happy tears!)I wouldn’t hesitate to recommend them, at least for anyone like me, looking to up their audio game from the non-XLR realm. But if your first use is run-and-gun video, then consider instead something like the Audio-Technica AT2022 or AT875R, since both are designed for DSLR-mounting. The 2022 is for low background noise settings and where stereo is important. The 875R is for high ambient/competing noise settings and where monaural sound is no big sacrifice.
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